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The mood throughout is very dark and tense. Two incredibly strong female leads make Goodbye Honey the amazing film that it is. The more we understand Phoebe’s backstory, the more her urgency starts to make sense.
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That manic kind of editing and the layered story really got the movie going strong.
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During the flashback, made in a series of quick edits, we get a lot of information in a short time and a repetitive part of it showed how horrible what happened to Phoebe really was. The film at first seems a bit confusing until the montage of what happened to Phoebe gives us the how and the whys. In the beginning, luck did not seem to be with the two ladies, and there was one mishap after another. And poor Phoebe just wants to GET OUT OF HERE! I don’t want to give much else away, but trust me, that parking area gets busy with a lot of bad guys, who are all a problem in one way or another.
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But where did Dawn leave the keys? I was like, really? Broken cell phone and no car keys? But then I realized I lose my keys all the time, so it was not as unbelievable as it could have been.
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Without a phone to call the police, they are in a bad situation, so the next choice is to simply leave. Phoebe grabs Dawn’s phone and accidentally drops it. The only weak moment in the film happens here. Slow to believe her but trying to be sympathetic, Dawn finally decides to help her. Finding a state park, she pulls in, checks the perimeter of the truck, then back in the cab she goes for a nap.īefore she can even get comfortable, a breathless and terrified young girl named Phoebe (Juliette Alice Gobin) shows up at the truck, claiming to have escaped from a kidnaper’s car and asking to use Dawn’s phone. Sleepy and driving badly because of it, she looks for a quiet place she can pull off and take a much-needed nap. This young lady will be visited again later, but for now, we move on to meet a tough as nails female truck driver named Dawn (Pamela Jayne Morgan). Goodbye Honey begins with a woman desperately trying to escape a basement, just to be caught again. Thankfully Goodbye Honey succeeded without the unnecessary exploitation admirably, even if it took a long time to get to the point. I hoped that Max Strand’s debut feature would not make me cringe because of rape and torture scenes. When I saw the trailer for Goodbye Honey, I was excited for a new take on the female abduction horror sub-genre. This movie is a perfect example of why that is a fact. Always being in danger must be at the forefront of all women’s minds, where ever we go. It is the perfect subject for a horror movie, even if it is an overused trope. I always think about it when I walk to my car at night or go anywhere alone. Hundreds of thousands of people go missing every year.
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Bonding over a shared history of trauma, Dawn and Phoebe realize they must learn to trust each other if they want to survive a night full of unexpected twists and violent turns. As the night progresses, it becomes clear they are not alone. Dawn is wary of Phoebe’s story, leading to a struggle that leaves her phone broken, the keys missing, and nothing but darkness between them and help. Dawn, a truck driver, pulls into a state park to get some sleep when she is ambushed by Phoebe, a young woman who claims she is fleeing from an abductor.